Book Week visit – a week early

Yesterday Andrew and I visited Delta Road Pre-School to talk about our booksP1010591

We read The Riverboat Crew, our very first picture book, published so long ago, in 1978. The big book was published in 1988. Here, I have just read the first page: The Alice was a paddle steamer on the Murray River, and a little voice piped up, My name’s Alice – there’s always someone – or they know someone with that name – a brother or sister, a cat or dog, a mum or dad, or a mouse. Andrew told the children that the riverboat was named after his Mum, whose name was …Alice. 

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I also read three of the ‘Josh’ books. They had already read Josh and the Monster, but hadn’t read Josh, Josh and the Ducks, and Josh and Thumper. Behind me is the Children’s Book Council of Australia’s Short-List Poster. Fabish, illustrated by Andrew, and written by Neridah McMullin, has been short-listed in the Eve Pownall Information Book Category.  The children were excited to point out to us that they had seen the picture of the book on the poster.

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Andrew drew some pictures with sticks of thin charcoal. He says that one of the best things about using charcoal is, if you want to change something you can rub it out with  kneadable rubber – by rubbing, pressing or dabbing. On this paper he drew a picture of our white Skye terrier, Danny. (We didn’t get a photo of the final drawing).

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He also drew a picture of our cat, Norah, who got herself into a pickle one day when she found herself spreadeagled on top to the clothes horse. It took her a while to work out how to get back down, but it didn’t stop her trying again, and again… 

More Mother’s Day Palimpsests

Palimpsest 3

  • palimpsest
    ˈpalɪm(p)sɛst/
    noun
    – a manuscript or piece of writing material on which later writing has been superimposed on effaced earlier writing.
    – something reused or altered but still bearing visible traces of its earlier form.

Otto's Andy portrait
Portrait Andy

Otto sat on my lap while he drew this portrait of Andy – Grandpa. He observed his subject carefully to make sure that he included specific details, including the pointy beanie on his head, spiky hair, moustache and beard plaid shirt with collar. Andy showed Otto that drawing the stripes of the shirt with a curve showed how they go around the body. To the side, Andy also drew a sample hat showing the ribs of the wool and the rim of the hat. An earlier drawing on the back of the paper shows through and becomes part of the final drawing

 

Palindromes and Drawings

One day O, aged 5 years, drew our house, made palindromes, and had a drawing lesson.

The first drawing O did was a picture of our dog, Callan, sitting down. He showed it to Andy who did a little drawing in the corner of a sitting dog, then O had another go at grounding the feet.
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On the other side of the paper O drew a detailed picture of our house – with pitched roof, chimney, front door with transom window, decorated glass side panels, a number 2, and himself standing in the doorway. There are shrubs in the garden. The dotted line at the bottom of the page depicts the street, the solid line separates the footpath from the road, and there’s a path leading to the front door. Our car is parked in the driveway next to the house and, from the top of the gable a bird is pooping SPLAT! on the windscreen.

O signed his name and Andy told him it was a palindrome, then he wrote ‘pop’ and ‘poop’

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O carefully cut out a plain piece of paper from his drawing and, with Andy, wrote some more palindromes

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Quick as a Wink Fairy Pink – Teacher Notes

Teacher Notes
by Janet McLean 

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Written by: Lesley Gibbes
Illustrated by: Sara Acton

Young children will want to jump into bed as quick as a wink to have this story read to them. It is a delightful story of play, hide and seek, and finding ways not to go to bed.

Five little Flutter Fairies going off to bed.
Fairy Blue, Fairy Green, Fairy Gold, and Red.
But one of them is missing. Which fairy do you think?
Could it be the smallest one?
Is it Fairy Pink?

WRITING AND LANGUAGE
As a former teacher Lesley knows the kind writing techniques that young children respond to, and that will help them to learn in a fun way. Quick as a Wink, Fairy Pink is an interactive book, enticing readers into a game of fairy-hide-and-seek. The regular rhythm and rhyme throughout the book is infectious. Children will soon pick up the pattern of the words and will begin join in (some spontaneously, and some with a little encouragement). The repetitive, predictable pattern of the text and the layout is set up in the first three pages.

On the first page there’s elements of humour and suspense – the text says, Five little flutter fairies going off to bed, Fairy Blue, Fairy Green, Fairy Gold and Red. We hear five, but we only see four fairies climbing the stairs. Turn the page, and open to a  double page spread and YES! out pops the fifth Fairy – from under the bed ‘shooshing’ us with a finger to her mouth.

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The blue, green, yellow and red fairies all have their own double-page spread to brush their teeth, have a bath, get dressed, or read a book before bedtime. The rhythm and beat of the text on each these pages follows the same pattern 

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Between each double page spread the reader is asked to look for, and find Fairy Pink.

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This is how much I love you

‘My Grandparents’ 

A Card from R

this-is-how-muchLots of love

this-is-how-much-1‘Grandmar’ with a silvery pipe cleaner smile 

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Though he says my pancakes with lemon juice and sugar are ‘The best!!’

Emily’s turtle

One day Emily brought her pet turtle, Kirk, to kindergarten (preschool).

I found him in Grandpa’s dam.
Was he swimming in the dam
No. There wasn’t any water in it.
Mum said I could bring him home.

When Emily came in a few days later I could tell something was wrong –
watery eyes, sad shoulders and mouth.
She came over to me where I was squatting on a child’s chair.
She leaned into me and said,

I lost Kirk.
Ohh. What happened?
Mum said to put him in the garden for a wander.
And now we can’t find him.
I wonder why Kirk went away?
I wish Kirk hadn’t gone away.

Later that day Emily painted a picture.
When she’d finished it she brought it to me and said,
Can I do a play?.

Image: © Janet McLean 2016

Can I  do a play?                                Image: © Janet McLean 2016

She dictated her story as a play script which we acted out at mat time.

THE STORY THE LEARNING
Emily had ‘written’ other stories and she knew that I couldn’t write as fast as she could talk. She told her story slowly so I could keep up, word-by-word, phrase-by-phrase.

Once there was a creek.
In the creek there was a turtle living.
Some people went to the creek.
They found a turtle.
The turtle was the same turtle
and something was the matter.
The turtle was funny because it was lying still. And it was still funny.
The people caught it.
They brought it to the vet.
It was having a baby.
The mum loved the baby.
The people that found it took it home.
They kept it forever.
The baby turtle…
The baby turtle growed and growed,
and until it was a adult.
It had it’s own baby.

At mat time we displayed Emily’s painting as a backdrop for the play. Before we acted out the play I asked Emily to tell us about her painting.

The turtle is lying on its back. And that above, that is what he’s thinking.

What is the turtle thinking?

It’s thinking about the family that it lost,

So this is like Kirk, You were his family, and he lost you?

 No, They died in the war.

Recalling and using symbols Emily drew on and used her own experiences and knowledge to paint her picture, and to tell and dramatise her story.

Expressing feelings: Emily expressesd her feelings directly in conversation, and figuratively in her story

Literacy: Emily used a classic narrative story structure: There’s a beginning: “Once there was…’. Early in the story she introduced the main character – the turtle, Kirk. There was a problem (something is wrong the Kirk).The problem was solved (Kirk was rescued and taken to the vet). The ending was satisfying but open-ended – the family took the turtle in. The turtle had a baby which grew up to have baby of it’s own. Her story about Kirk was complex and metaphorical.

Visual literacy: Emily’s painting depicted ideas drawn from personal experiences. She included universal symbols (hearts, for love), and she included the literary device of a speech balloon.

Literacy through social interaction – with adult. Emily chatted with me in a natural way. We exchanged ideas. She asked me to help her express her ideas in written form. I helped her find new, more complex ways of expressing her thoughts – verbally, written, and visually.

Social interaction – with children. Emily has two close friends, Ruby and Ari. The three of them play together, in all areas of the program. However, Emily often works independently, developing her own ideas. She wanted to share her ideas with the other children – the whole group.

Further thoughts:
Emily trusted me to listen to her, and to take seriously the ideas and feelings she was trying to express and share with me, and through me, with the other children

I searched for the hidden meaning in her story and picture. When I talked with her and her Mum I discovered  hidden meaning embedded in her story and the picture. Her Mum filled in some of the details. On the ANZAC Day long weekend Emily went to visit Nan and Pop in the country with her Mum, and her sister and brother. They found Kirk along with dozens of other turtles floundering in the near-empty dam. While they were at Nan and Pop’s caught up with lots of  Aunties, Uncles and cousins, and there was lots of talking around the kitchen table. One of Emily’s great-uncles was one of the oldest living ANZAC soldiers, and on ANZAC Day  his photo was in the local paper. They found out which Aunties were expecting babies. Then, on the way home they stopped for a picnic near a river, and found an injured swan. They called the ranger to come and look after it.

I thought ‘funny’ was a funny word to use. until II realised she was using it to mean odd, or strange – her use of funny is idiosyncratic, immediate and touching. At mat time I helped Emily to choose other children to be the characters in the play. Together we directed the action. First I read the whole story, then broke it up scene-by-scene:

  • The children on the mat became the creek, gently swishing their hands.
  • The ‘funny’ turtle lay on his back next to the creek.
  • The family came along, found Kirk, and took him to the vet.
  • The family took the turtle home.
  • The turtle had a baby.
  • The baby grew up.
  • The baby had a baby.

Today, Emily worked over a long period of time, in different areas, to work through and express her ideas.

She actively participated in shared learning through creative literacy and art experiences.

In the process she created a coherent metaphorical tale of rescue, love, and the circle of Life, drawing on a number of different real-life experiences

© Janet McLean

A 68-word story

Sorry for the poor quality of the reproduced drawing. I hope you get the idea how Tyler used the drawing to help process his thinking.

And there was the day Tyler asked me if he could ‘do a play’.

Sure, I’ll just go and get my writing book and a pen. 

Tyler fetched a large sheet of drawing paper, and the red, blue, green, black, and pink markers. He placed these side-by-side on the table, and said:

Captain Planet gave some rings, with diamond rings, to little kids.

While I was writing Tyler started his drawing. Up in the top right hand corner of the paper he used the blue marker to draw Captain Planet. Then he started on the rings, which he placed on either side of Captain Planet, and as he drew he said,

A red diamond on it.

A pink diamond.

A blue diamond.

Now, there’s two more.

Now let’s see – green, I think.

Now, one more.

Blue – water.

Red is fire.

The pink one’s heart.

The green one’s …

I’ll just make up a name for green.

The Black one’s wind.

I’ll just call green, earth.

 I need to draw the little kids.

Red is fire.

Now, what was the second one?

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Drawing

Sharing a link:

WHAT CAN WE LEARN FROM CHILDREN’S DRAWINGS?

http://theconversation.com/what-can-we-learn-from-childrens-drawings-64527

Things that make an impression on them loom large on the page.

another drawing milestone is reached as children start to anchor their drawings on the page, where previously their objects had floated randomly in space.

They draw in baselines and skylines, usually thin lines of green grass and blue sky, as they try to represent the world they see around them.

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Drawing, anon, aged 5

Image © Janet McLean