Ideas that end up in a book

Let’s Go baby-o! – The Setting
This story started as a moment in time, and grew into a book.

Let’s Go Baby-o! Janet and Andrew McLean, 2011, Allen and Unwin
–  a book sharing 

          The seed

One day in 2008, our newly-born grandson, Rory, lay on the floor in the back room of our house surrounded by the people and animals he would be growing up with. There was his mum and dad, his auntie, two dogs – Rupert and Bella, a cat – Norah, and his Janna and Pa (that’s us, Janet and Andrew). Outside a pair of blackbirds was building a nest in the ornamental grapevine that stretches across the back verandah. Three years later, in 2011, Let’s Go Baby-o! was published. Now it’s 2018 and Rory has just turned ten. He is one of The Brothers whose stories are told elsewhere on Packing for the Journey!

          Our place

Our own place was the perfect setting for this book. Baby-o and Cuz could be inside the house playing together, and every now and then stop to look out the window and watch what was happening in the garden.

          The garden

Our garden has led us down may different paths since we first moved here thirty-two years ago. The patch of concrete that was big enough for a usable handball court is long gone, paved over with bricks salvaged from elsewhere in the garden. The bamboo forest along the south side fence that took so long to remove has been replaced with wild salvias, a cherry tree, a lemon and a lime. The crabapple tree that appears in Let’s Go Baby-o! has been replaced by a weeping cherry that, so far, seems to be holding its own.

The ever-changing garden

While the garden is too small to call rambling, it has become an intriguing place for children, grown-ups, dogs, cats, birds, possums, spiders and insects, and slugs, snails and skinks. Children follow paths and climb, cats stalk, dogs chase, mosquitoes bite, spiderwebs trap, and birds fill up on ripe fruit and scrabble for worms – and all of them find secret places to hide.

Everyday life in the backyard

For thirty years the garden has also been a bone orchard for two cats, Dinah and Norah, and four dogs, Maggie, Kipper, Rupert and Bella. Every one of these animals has made their way into our books (There’ll be more about Dinah, Maggie and Kipper, and the books they turned up in, in a later post). Norah, Rupert and Bella are characters in Let’s Go Baby–o!

Our Skye-boy terriers, Callan and Danny, are still waiting to be in a book.

IMG_1885 On the day Bella was buried
Callan, for a few moments
settled himself over
her grave

         

          Where the birds nest.

Nesting just outside the window

One of the preferred spots for the birds to nest is in the ornamental grapevine that stretches across the back verandah. The brown female and and the black male fly from tree to vine, from creeper to bush, sussing out the best place to build their nest. Once they have chosen the right spot the brown one scavenges in the garden for leaves and grasses, and the odd bit of plastic. She binds these together with mud to make a scrappy, cup-shaped nest, and lines it with soft grasses and tufts of dog hair from whichever of our dogs is around at the time.

IMG_5584The vine where the blackbirds nested again this summer

This year we  found a nest just three feet off the ground in the Rosa Perle D’or. It was filled with half-eaten, dried out quinces. I like to think of the brown, the black, and the fledgelings filling up on these before taking off.

IMG_5918 (1)
A nest of quinces

            From inside the house

The windows and doors in the back room of our house overlooks the backyard – perfect for seeing what’s happening out there.

Inside looking out

So, we had our setting, and some of the characters.

COMING SOON:
1. Let’s go Baby-o! – The characters.
2. Re-imaginging setting and characters to make a book

 

 

 

 

 

 

 

 

 

 

 

‘A Stunning New Musical for Australian Schools!

This great resource for children aged  5 – 12 years blends songs, drama, comedy

“Award winning author Phil Cummings and renowned composer/songwriter Glyn Lehmann launch their new musical Arlie Abbstock and the Incredible Cape.

Written for performers aged 5-12 years, this work is full of songs, drama, comedy, action and even a rap. This work celebrates difference and explores themes of resilience, perseverance, resourcefulness, artistic endeavour, empathy, acceptance and recycling!

The story revolves around Arlie Abbstock who lives in a small medieval village. The other children like to play with swords and battle axes but Arlie likes to stitch and weave and sew. When the king is captured by a dragon, and the bumbling knights fail to rescue him… Arlie has a plan of his own.”

Available Now at: www.songlibrary.net/Arlie-Abbstock

Arlie Abbstock and the Incredible Cape

…a magical, medieval musical script and lyrics by Phil Cummings

music by Glyn Lehmann
There’s a terrible dragon, a kidnapped king, a feisty queen, a plucky princess, bumbling knights…and then there’s Arlie Abbstock.
Arlie Abbstock and The Incredible Cape

Arlie isn’t like the other children; while they play with swords and battle axes, he likes to stitch and weave and sew. When the dragon kidnaps the king, the knights attempt his rescue but return blackened and defeated.

Who will save the king now?

With help from the princess, Arlie puts his plan into action by doing what he does best. Teased by the other children and scorned by the knights, Arlie surprises them all; proving that friendship and a little self-belief go a long way.

Drama, comedy, songs, rap and much more!
For performers aged 5-12 years.

Duration: approximately 40 minutes

MORE INFORMATION
Arlie Abbstock and the Incredible Cape celebrates difference and explores themes of resilience, perseverance, resourcefulness, artistic endeavour, empathy, acceptance… and recycling!

Key aspects:

  • 19 speaking parts and chorus opportunities in which many children can participate.
  • Easy, flexible costuming options with opportunities for recycling.
  • Staging suggestions for do-it-yourself stage design and props.
  • Parts included for beginner recorder and ukulele players.
  • As well as the obvious benefits of being involved in a school production there are a number of themes that may be expanded upon in the classroom. We have provided suggestions in the accompanying materials.

We hope you enjoy teaching, learning and exploring our new musical.

Phil and Glyn

Pirates – part 2

I do not ask the children to stop thinking about play. Our contract reads more like this: if you will keep trying to explain yourselves I will keep trying to help you think about the problems you need to solve.

Vivian Gussin Paley (1981) Wally’s Stories

 The pirates nudging each other

When Richard told me his next story Ned was sitting next to him.
‘I’m going to do a play,’ said Richard.
‘There’s only two people. Ned, do you want to be in my play?”
Ned didn’t answer.
‘Ned, do you want to be in my play?’
Silence
‘Ned, do you want to be in my play?’
Nothing.
‘Ned, do you want to be in my play?’
‘Maybe’. Continue reading

Pirates – Part 1

Nudging Ned

a-sams-drawing

For many weeks Ned and Richard were playing pirates together. The day Richard said, quite politely, ‘Walk the plank, Ned’, things changed. Ned stamped his foot, got red in the face, and stormed off to the cubby house, shouting. ‘I’m the captain, Richard!’.

Ned refused to be in Richard’s story – the one where Richard was the captain. I had been watching this drama unfolding, aware that Ned always assumed the role of captain, and that Richard was getting a bit sick of being the pirate who always ended up in the shark-infested water.

I couldn’t help them work it out that day. I tried to help them find other ways to tell their stories.
‘You could paint or draw a picture about your pirate story.’
‘I can’t paint a pirate.’
‘You could each tell me the story that you’re thinking about, and I could write it down, and we could act it out at mat time.’

Richard was the first one to tell me a story.

‘There’s only Ned and Richard. There’s only two people. It’s about Ned and Richard. Ned and Richard fight with the swords and I’m the goodie and Ned is the baddie. There was a sea and I pushed him into the sea and I made him walk the plank.’

At mat time, Richard asked Ned to be the pirate who walked the plank. Ned shook his head, ‘No’, so Richard chose someone else. Ned wasn’t ready to take on that role – not in dramatic storyplay, and not as a character in Richard’s story. He as watched another child acted his part – a baddie being pushed into the sea. Continue reading